Concert by the Just Alap Raga Ensemble
MELA Dream House
Saturday, July 24, 2004, 9 pm
Memorial Tribute to
Pandit Pran Nath
Ustad Hafizullah Khan
Raga Sundara, vilampit khayal set in Raga Yaman Kalyan
La Monte Young
La Monte Young, voice
Marian Zazeela, voice
Jung Hee Choi, voice
Da’ud Constant, voice
Charles Curtis, cello
Naren Budhkar, tabla
The Tamburas of Pandit Pran Nath from the Just Dreams CD
MELA Foundation Dream House
275 Church Street, 3rd Floor, Between Franklin & White Streets in Tribeca
Saturday, July 24, 2004, 9 pm
Admission $24. MELA Members, Seniors, Student ID, $18.
Limited seating. Advance reservations recommended.
A Concert of Evening Ragas in the contemporary Kirana Style of North Indian Classical Music will be performed by La Monte Young and Marian Zazeela with their Just Alap raga ensemble, in a memorial tribute honoring Pandit Pran Nath and Ustad Hafizullah Khan, masters of the Kirana gharana on Saturday, July 24, at 9 pm in the MELA Foundation Dream House light environment, 275 Church Street, 3rd Floor.
La Monte Young and Marian Zazeela will be accompanied by Jung Hee Choi, voice, Da’ud Constant, voice, Charles Curtis, cello, Naren Budhkar, tabla, and The Tamburas of Pandit Pran Nath from the Just Dreams CD. The Just Alap ensemble will present the avant-premiere of a new composition by La Monte Young, “Raga Sundara,” a vilampit khayal set in Raga Yaman Kalyan, composed under a commission grant from the NYSCA Individual Artists Program.
Pandit Pran Nath has said, "Alap is the essence of Raga. When the drut [faster tempo] begins, the Raga is finished." With the Just Alap ensemble, La Monte Young applies his own compositional approach to traditional raga performance, form and technique: a pranam (bow) of gratitude in reciprocation for the influence on his music, since the mid-fifties, of the unique, slow, unmetered timeless alap, and for one of the most ancient and evolved vocal traditions extant today. Featuring extended alap sections and sustained vocal drones in just intonation over tamburas, Young and Zazeela premiered this ensemble on August 22, 2002 in a memorial tribute to Ustad Hafizullah Khan, the late Khalifa of the Kirana Gharana and son of Ustad Abdul Wahid Khan Sahib.
La Monte Young and Marian Zazeela helped bring Pandit Pran Nath to the U.S. and became his first Western disciples, studying with him for twenty-six years in the traditional gurukula manner of living with the guru. Young and Zazeela have taught the Kirana style and performed with Pandit Pran Nath since 1970 in hundreds of concerts in India, Iran, Europe and the United States. In June 2002, Young was conferred the title of Khan Sahib by Khalifa Hafizullah Khan Sahib.
Ustad Hafizullah Khan Sahib passed away on August 13, 2002 in New Delhi. He received the title of Khalifa (hereditary head) of the Kirana Gharana of North Indian classical music in 1964. Since 1967, he had been a senior artist at All India Radio, Delhi with the highest rating. He received the Swami Haridas Sangeet Samelan Sur Mani Award in 1972, and performed at most of the major music festivals in India. In 1975, 1989 and 1990, Hafizullah Khan Sahib toured Europe. On his second U.S. tour, MELA Foundation was honored to present his exquisitely serene and deeply contemplative music on June 13, 2002, when he gave his first and only New York performance in the MELA Dream House in a memorial tribute to Pandit Pran Nath.
Pandit Pran Nath, who passed away on June 13, 1996, virtually introduced the vocal tradition of North Indian classical music to the West in 1970. His 1971 morning performance at New York’s Town Hall was the first concert of morning ragas to be presented in the U.S. Subsequently, he introduced and elaborated to Western audiences the concept of performing ragas at the proper time of day by scheduling entire series of concerts at special hours. Many students and professional musicians came to him in America to learn about the vast system of raga and to improve their musicianship. Pran Nath presented annual Raga Cycle concert series in New York and established his own school under the direction of La Monte Young and Marian Zazeela, the Kirana Center for Indian Classical Music, now a project of MELA Foundation. In Fall 1993 he inaugurated the MELA Foundation Dream House with three Raga Cycle concerts and continued to perform here throughout his lifetime.
Pran Nath's majestic expositions of the slow alap sections of ragas combined with his emphasis on perfect intonation and the clear evocation of mood had a profound impact on Western contemporary composers and performers. In addition to Young and Zazeela, minimalist music composer Terry Riley became one of his first American disciples. Fourth-world trumpeter Jon Hassell, jazz all‑stars Don Cherry and Lee Konitz, composers Jon Gibson, Yoshimasa Wada, Rhys Chatham, Michael Harrison and Allaudin Mathieu, Sufi Pir Shabda Kahn, mathematician and composer Christer Hennix, concept artist and violinist Henry Flynt, dancer Simone Forti, and many others took advantage of the opportunity to study with the master.
Admission is $24 / $18 MELA members; seniors; students with ID. Limited seating. Advance reservations recommended. For further information email email@example.com or visit http://www.melafoundation.org/. MELA’s programs are made possible with public funds from the New York State Council on the Arts, a State Agency, and generous contributions from individuals and MELA Members.