Pandit Pran Nath La Monte Young Marian Zazeela Jung Hee Choi Charles Curtis Terry Jennings Angus Maclise Richard Maxfield Just Alap Raga Ensemble The Theater of Eternal Music Kirana Center Teaching Program

Marian Zazeela



PUBLICATIONS

    Summer of Love: Art of the Psychedelic Era. Tate Liverpool exhibit catalog 27 May - 25 September 2005, Christopher Grunenberg, editor, Liverpool 2005. Also published in German for continuing exhibitions at Schirn Kunsthalle Frankfurt, 2 November 2005 - 2 February 2006; Kunsthalle Wien, 27 May - 17 September 2006. Photograph: Music and Light Box (1967-68).

    Expérience de la durée, Biennale de Lyon 2005, Catalog of the exhibition September 14 – December 31, 2005, Thierry Raspail, Artistic Director; Nicolas Bourriaud and Jerome Sans, Curators and co-editors.  Paris musées, Paris, 2005.  Text:  Continuous Sound & Light Environments; Photographs (Blaise Adilon):  La Monte Young et Marian Zazeela, Dream House, 1990, collection FNAC, depot au muse d’art contemporain Lyon, vue de l’installation. 

    Sons et Lumieres, Centre Pompidou, Paris, France, Catalog for the exhibition, Centre Pompidou, 22 September 2004 – 3 January 2005, Sophie Duplaix, Curator and Chief Editor, Paris, 2004.  Texts: Sophie Duplaix,  “Om/Ohm ou les Avatars de la Musique des spheres;” Marian Zazeela, excerpts from “Biographical Narrative” in Marian Zazeela Drawings, Uli Schaegger, ed., Polling, Kunst im Regenbogenstadl (2000); La Monte Young, Marian Zazeela “Dream House;” Marian Zazeela, “Sculpture de la série “Still Light;” “Neon, Dream House Variation II;” Environnement, Magenta Day/Magenta Night;” Photographs:  La Monte Young et Marian Zazeela, Dream House, “Map of 49;s Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery” Galerie “A 37 90 89” Anvers, Belgium (1969); Marian Zazeela Ornamental Lightyears Tracery (1970), Concert sonore et lumineux, Moderna Museet, Stockholm; La Monte Young et Marian Zazeela, NYC (2000); Imagic Light (1993), avec Magenta Day/Magenta Night (1993); La Monte Young et Marian Zazeela, Dream House 1962-1990, installation vue, Musée d’Art Contemporain de Lyon (1999); Marian Zazeela, Primary Light (Red/Blue) (1990), detail de l’installation de la Dream House à l’Éspace Donguy, Paris (1990); La Monte Young et Marian Zazeela, Sound/With/In (1989), de la série Still Light; Marian Zazeela, Dream House Variation II (1990), calligraphie en neon; La Monte Young et Marian Zazeela The Well-Tuned Piano in The Magenta Lights (2000), Vue de l’installation lors de l’exposition “La Beauté, Avignon (2000); La Monte Young, The Tortoise, His Dreams and Journeys, projections lumineuses: Marian Zazeela, Concert, The Four Heavens (1966).

    Pandit Pran Nath, Midnight / Raga Malkauns, Just Dreams, New York, NY.  2003.  2-CD recording.  Cover, package, label design and calligraphy. 

    The Beautiful Book, Photographs by Jack Smith, Granary Books, New York, NY, 2001, Facsimile Edition of 200 numbered copies.   Cover drawing (1962). 

    Marian Zazeela, Drawings, catalog of exhibition, Uli Schaegger, ed., May 2000.   Kunst im Regenbogenstadl, Polling, Germany.  71 full-color reproductions of Zazeela's works spanning 1962 through 1991, includes her written analysis of her working processes, essays by Henry Flynt, Uli Schaegger, photographs, biographical documentation, inventory of the exhibition.  Reproductions include her early abstract calligraphy, works from her extreme ornamental, fine line, Portraits and Glyphs series, as well as many of the original drawings for her posters, flyers and record covers. 

    La Beauté, catalog for the exhibition in Avignon, Jean de Loisy, Curator and Editor.  Flammarion, 2000.  Mission 2000 en France.  Photograph (John Cliett):  La Monte Young et Marian Zazeela, The Well-Tuned Piano dans un Environnement Lumineux The Magenta Lights de Marian Zazeela (1981).   

    La Monte Young  Marian Zazeela, The Well-Tuned Piano in The Magenta Lights, Just Dreams, New York, NY.  2000.  6½-hour DVD recording.  Cover, package, label design and calligraphy.  Camera for original video footage.  Video editing and titles. 

    La Monte Young  Marian Zazeela, The Tamburas of Pandit Pran Nath, Just Dreams, New York, 2000.  CD recording.  Cover, package, label, booklet design, calligraphy, photographs. 

    Jason Quarles,  “La Monte Young / Marian Zazeela,” interview.  Doubleaught. Chronoplastics, Providence, RI, 2000.   

    Sophie Duplaix, “La Monte Young & Marian Zazeela : Dream House.  Les Cahiers du Musée national d’art moderne, No. 74, Winter 2000-2001, Centre Pompidou, Paris, France.  Text; Photographs:  La Monte Young, Marian Zazeela, Dream House, The Well-Tuned Piano Installation À L’Église Saint-Joseph pour L’Exposition “La Beaute” Avignon (2000) (photo, Marian Zazeela); La Monte Young, Marian Zazeela Dream House, Installation au Musée d’Art Contemporain de Lyon (1999); Marian Zazeela, Dream House Variation II (1990), Neon, Paris, Fonds National d’Art Contemporain (photo, Musée d’Art Contemporain de Lyon); La Monte Young, Marian Zazeela, Portrait des Artistes extrait du film du Jacqueline Caux (en cours de realization) New York (2000). 

    Searchlight Consciousness at the millennium, edited by Lawrence Rinder.  California College of Arts and Crafts, San Francisco, CA., 1999.  Photograph: Music and Light Box (1967-68). 

    Marian Zazeela, Maja Rising, ARTFORUM, October 1997, P. 72, essay on Zazeela’s work with Jack Smith. 

    Flaming Creature: The Life and Time of Jack Smith, Artist, Performer, Exotic Consultant. Ed Leffingwell, Editor.  Serpent’s Tail Press, London, 1997.  Published in conjunction with exhibition of Jack Smith’s work at Institute for Contemporary Art, P.S. 1 Museum, curated by Leffingwell.  Photographs from The Beautiful Book. 

    Ian Nagoski, La Monte Young & Marian Zazeela, an interview.  Halana no. 1, Ardmore, PA, Winter 1995-96.  Marian Zazeela art works:  Design D, Variation A (1966); 25 VI 67 (1967); Music of La Monte Young Concert Flyer, (1962); Page from Illuminated Manuscript (1962); Chart (Calendar Map of Concerts with Number and Ornament (1962); 19 XI 66/1, 19 XI 66/2, (1966); Dream House (1990); Photograph (Robert Adler):  La Monte Young  Marian Zazeela, Dream House, Church St. Studio Rehearsal (1970).   

    Sound and Light / La Monte Young Marian Zazeela, William Duckworth and Richard Fleming, Eds. Bucknell University Press, Lewisburg, PA. Forthcoming, December 1996. Includes Sound & Light Environment (1989) (with La Monte Young); Time Light Symmetry (1989); Ornamental Lightyears Tracery (1970- 1995); The Soul of The Word (1963); words not words (1975); texts by Mitchell Clark, William Duckworth, Richard Fleming, Henry Flynt, Kyle Gann, Catherine Christer Hennix, Ben Neill, Robert Palmer, Terry Riley, John Schaefer.

    La Monte Young & The Forever Bad Blues Band: Just Stompin' / Live at The Kitchen, Gramavision Inc., New York, NY. 1993. 2-CD recording. Cover and package design, calligraphy, photographs.

    La Monte Young: The Second Dream of The High-Tension Line Stepdown Transformer from The Four Dreams of China, Gramavision Inc., New York, NY. 1991. CD recordings. Cover and package design, calligraphy, photographs.

    Ubi Fluxus ibi motus 1990 - 1962, Gino Di Maggio, Ed. Edizioni Gabriele Mazzotta, Venice, Italy. 1990. Sound and Light Works (with La Monte Young); words not words (1975); Mount Anthony (1960).

    Happenings & Fluxus, Charles Dreyfus, Ed. Galerie 1900-2000, Paris, France. 1989. The Magenta Lights, cibachrome (1981); Sound / With / In, light sculpture (1989).

    La Monte Young: The Well-Tuned Piano 81 X 25, Gramavision Inc., New York, NY. 1987. 5-LP, 5-CD, 5-Cassette Albums. Cover and package design, calligraphy, photographs.

    Pandit Pran Nath: Ragas of Morning & Night, Gramavision Inc., New York, NY. 1986. LP, Cassette, CD recordings. Cover design, calligraphy, photographs.

    Computers & Mathematics with Applications, Vol. 12B, Nos. 1/2. Pergamon Press Ltd., Oxford, Great Britain. January - April 1986. Drawings from Selected Writings (1967, 1969) in Roberto Donnini, "The Visualization of Music: Symmetry and Assymmetry."

    The Maximal Implications of The Minimal Line, Linda Weintraub, Ed. The Edith C. Blum Art Institute, The Bard College Center, Annandale-on-Hudson, NY. 1985. Drawings: "Line of Y's #1," "Line of Y's & Z's #2" (1964), Statement (1985), Poem (1975).

    Raum Zeit Stille, Wulf Herzogenrath, Ed. K”lnischer Kunstverein, Cologne, Germany. 1985. Photographs: "Light for Afternoon Ragas" (1981); "The Magenta Lights" installation view, closeup view (1981); Drawings: "7 x 7/2," "7 x 7/1" (1983); "82 VIII 29" (1982); "11 VIII 75" (1975); Essay: "Die Magenta Lights;" Essay: "La Monte Young Marian Zazeela: Horen und sehen, wie die Zeit vergeht," Wolfgang Sandner.

    Bennington/NY Newsletter, New York, NY. September / October 1983. Drawing: "82 VIII 29" (1982).

    KUNSTFORUM International, Bd. 49, 3/82, April/Mai, Cologne, Germany, 1982. Photograph: Dream House Installation, documenta 5.

    The Log Cabin, Bern, Idaho, Dia Art Foundation, New York, NY. 1979. Postcard edition: Photograph and conceptual work (1979).

    Little Caesar #9, Gerard Malanga, Ed. Little Caesar Press, Los Angeles, CA. 1979. Drawing: Cover design for The Beautiful Book (1962); Interview: "La Monte Young and Marian Zazeela" by Gerard Malanga.

    Dream House 78'17, La Monte Young, Marian Zazeela, The Theatre of Eternal Music, Shandar Disques, Paris, France. 1974. LP disc: Cover, jacket and label design (1973).

    Pandit Pran Nath: Ragas Yaman Kalyan, Punjabi Berva, Shandar Disques, Paris, France. 1972. LP disc: Cover, jacket and label design (1971).

    documenta 5, Harald Szeemann, Ed. Verlag documenta GmbH/C. Bertelsmann Verlag, Kassel, Germany. 1972. Photographs: "Ornamental Lightyears Tracery" (1970); Texts: "Dream House" (with La Monte Young), "Ornamental Lightyears Tracery," "Light Frequency Environment."

    Panache, Richard Kostelanetz, Ed., New York. 1971. Drawings: "Lines" (1969).

    VH 101, No. 4, Paris, France. Winter 1970-71. Text: "Dream House" (with La Monte Young) (1969); Calligraphy (1967).

    The Astrological Review, David Hayes, Ed. The Astrological Guild of America, New York, NY. Winter, 1970. Cover drawing (1969).

    La Monte Young / Marian Zazeela, Edition X, Heiner Friedrich, Munich, Germany. 1970. LP disc: Cover, jacket and label design (1969).

    Aspen Magazine, Issue No. 9, Angus MacLise, Ed. New York, NY. Fall-Winter 1969. Prose: "The Soul of the Word" (1963); Drawings (1961, 1962).

    Selected Writings, La Monte Young / Marian Zazeela. Heiner Friedrich, Munich, Germany. 1969. Book: Cover design and calligraphy (1969, 1967); Drawings: "Lines" (1969), "Realization of La Monte Young Composition 1960 # 13" (1962); Prose: "The Soul of the Word" (1963); Text: "Dream House" (with La Monte Young) (1969).

    The Machine as seen at the end of the mechanical age, K. G. Pontus Hulten, Ed. The Museum of Modern Art, New York, NY. 1968. Photograph: "Music and Light Box" (1967-68); Text (1968).

    S. M. S., Issue No. 4, The Letter Edged in Black Press, New York, NY. 1968. Cover design for tape box with tape by La Monte Young (1968).

    S. M. S., Issue No. 1, The Letter Edged in Black Press, New York, NY. February, 1968. Border design for "Two Propositions in Black" by La Monte Young (1967).

    IKON Magazine, Vol. 1, No. 4, New York, NY. November, 1967. Diane Wakoski, "The Theatre of Eternal Music / La Monte Young Marian Zazeela." Photograph: Multiple slide projection performance; Cutout graphic: "Design B Mirror Version" (1965); Title calligraphy (1967).

    The George Washington Poems, Diane Wakoski, riverrun press, New York, NY. 1967. Cover calligraphy (1967).

    Film Culture No. 43, Jonas Mekas, Ed. New York, NY. Winter, 1966. Special issue Expanded Arts. Graphic: "Design D Positive and Negative Series" (1966).

    Fluxus CC V TRE, George Brecht and George Maciunas, Eds. Fluxus, New York, NY. March 1964. Drawing: "Message" (1962).

    Flaming Creatures, Film directed by Jack Smith, 1962. Calligraphy of Titles and Credits (1962).

    The Beautiful Book, Photographs by Jack Smith, Dead Language Press, New York, NY. 1962. Cover drawing (1962).

    KULCHUR 1, Marc Schleifer, Ed. New York, NY. Spring 1960. Graphic: "Woodcut" (1960).

    silo, Bennington College, Bennington, VT. December 1958. Cover drawing (1958).

    The Idol, Union College, Schenectady, NY. Fall 1958. Drawing (1958).